The Russian Academy Of Arts

The Russian Academy of Arts invites you to attend the International Research Conference (XXI Alpatov Readings) “Russia-Italy-Spain: Artistic Relations” that will take place in Tsereteli Art Gallery (Apple Hall), 19 Prechistenka street on November 30 – December 1-2, 2011. Morning sessions – at 11.00 am. The Conference in honor of Russia-Italy and Russia-Spain Cross Culture Year 2011 has been organized by the Russian Academy of Arts in partnership with the Russian Academy of Sciences.

CONFERENCE PROGRAM

November 30, 2011 (Wednesday) 10.30 – Registration of participants (Tsereteli Art Gallery, 19 Prechistenka street, Moscow)
11.00 – Opening of the Conference
Opening speeches:
- Zurab Tsereteli, President of the Russian Academy of Arts
- Adriano Dell’Asta, Director of the Italian Institute of Culture in Moscow

Morning Session Led by the Vice-President of the Russian Academy of Arts, Doctor of Art History D.O. Shvidkovsky

D.O. Shvidkovsky, Doctor of Art History, Vice-President of the Russian Academy of Arts, Academician-Secretary of the Department of Art History and Art Criticism of the Russian Academy of Arts, Moscow
The History of Russian-Italian Relations

K. Muratova, Professor, France
Italy and Pavel P. Muratov’s Creative Work

A.L. Batalov, the State Museum-Preserve “The Moscow Kremlin”, Moscow
Architects of the Renaissance and Medieval Russian Architecture

Y.V. Mudrov, the Public Foundation for Support to Culture and Art, St. Petersburg
The Count and Countess Severny in the Apennine Peninsula (Trip of the Cesarevitch Pavel Petrovich and Grand Duchess Maria Fedorovna Across Italy and its Role in the Russian-Italian Cultural Dialogue)

G.V. Dluzhnevskaya, Institute of the History of Material Culture of the Russian Academy of Sciences, Research Archives, St. Petersburg
Italy and Spain in Old Photographs

14.00 - Presentation of the album “Spain 1889” (Alicante, 2011) edited by the Institute of the History of Material Culture

14.30-15.00 – Coffee Break

15.00 - Afternoon Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by Victor Vanslov, Doctor of Art History, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts

A.A. Strigalev, the State Institute of Art History, Moscow
Two Visits to Frascati L.I. Davydova, the State Hermitage, St. Petersburg
Marquis Gian Pietro Campana. The Fate of the Collector and His Collection

E.A. Gavrilova, Museum-Estate Ostankino, Moscow
The Italian Sculpture from the Collection of Nickolai Petrovich Sheremetyev

E.Y. Saprykin, the Institute of World Literature of the Russian Academy of Sciences, Moscow
Three Voyages of the Italians to Russia in the 18th Century: Francesco Algarotti, Giovanni Batista Casti, Vittorio Alfieri

N.A. Kalughina, the State Tretykov Gallery, Moscow
Russian Scholarship Architects in Italy

T.M. Troshina, the Urals Federal University, Ekaterinburg
Italian Art in the Demidovs’ Collection

S.L. Belousov, D. Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow
Plato’s “Feast” and its Role in the School of Athens by Raphael

L.V. Solovyeva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Works by the Sienese Jeweller of the First Half of the 15th Century Neroccio from Russian Museums

Y.A. Butovchenko, the State Museum-Preserve “The Moscow Kremlin”
The Plate of Maria Temryukovna: On the Issue of the Italian or Spanish and Moorish Origin of the Ornament

December 1, 2011 (Thursday)

11.00 – Morning Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by Alexander Tolstikov, Corresponding Member of the Russian Academy of Arts and the Russian Academy of Sciences

S.V. Usacheva, the State Tretyakov Gallery, Moscow Sylvester Schedrin in Naples

E.D. Fedotova, Doctor of Art History, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Gospel Theme in the Work by Domenico Morelli and Russian Artists in the 1860-1890s

S.S. Stepanova, the State Tretyakov Gallery, Moscow
Alexander Ivanov – Italian Sources of Creative Work

S.K. Kazakova, the Moscow State University, Moscow
Torquato Tasso and the Russian Painting of the First Half of the 19th Century

T. Sedova, the State Russian University for the Humanities, Moscow
The Artistic Method of Paolo Trubetskoy in the Dialogue of Cultures

I.A. Panchenko, the State Russian Museum, St. Petersburg
A Nice Look of the Italian Woman…

S.I. Orlov, Research Institute of Theory and History of Fine Arts, Moscow
Architecture is a Sign of History: Piranesi’s Ideas in the Drawings by Mstislav Dobuzhinsky and George Narbut

L.S. Khasyanova, I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
The First Participation of Russia in the Second Biennale in Venice (1897)

14.30-15.00 – Coffee Break

15.00 – Afternoon Session
Led by E.D. Fedotova, Doctor of Art History

K.A. Chekalov, Institute of World Culture of the Russian Academy of Sciences
Images of Russia in the Prose of Emilio Salgari

A.A. Zolotov, Member of the Presidium of the Russian Academy of Arts, Moscow
Nickolai Gogol’s Return – Russian View from Beautiful Italy. The Sculpture of Zurab Tsereteli in the Park of Villa Borghese in Rome
L.V. Kazakova, Research Institute of Theory and History of Fine Arts, Moscow
Murano Glass in the Context of Contemporary Art

N.V. Getashvili, I. Glazunov Russian Academy of Painting, Sculpture and Architecture, Moscow
The Fate of an Artistic Idea Serving the Ideology (Interpretation of the “Classical” in the Time of Totalitarism: Italy – Spain – USSR in the 1930s)

O.A. Turchina. Association of Art Historians, Moscow
The Space in the Paintings by Lucio Fontana and Agostino Bonalumi

O.I. Tomson, I. Repin State St. Petersburg Academy Institute of Painting, Sculpture and Architecture, St. Petersburg
Biennale of Modern Art in Venice and Russian Art of the Early 21st Century

T.A. Troitskaya, Russian Federal Service for the Preservation of Cultural Values
Russian Art and the 20th Century Market of Antiquities in Italy and Spain

A.V. Chernetsov, Institute of Archaeology of the Russian Academy of Sciences
Anti-Catholic Motifs in the Miniatures of the Illuminated Code

December 2, 2011 (Friday)

11.00 – Morning Session (the White Hall of the Russian Academy of Arts, 21 Prechistenka street, Moscow)
Led by V.S. Turchin, Doctor of Art History, Academician of the Russian Academy of Arts, Professor of the Moscow State University

A.K. Yakimovich, the Russian Academy of Arts
Diego Velazquez: Art and Power

O.A. Nogteva, the Moscow Institute of Architecture
The Concept of Plaza Mayor in the Spanish Town-Building in the Last Third of the 16th Century

A.V. Ryndina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Image of Madonna di Loreto, Saint Mary the Royal of la Almudena in Madrid and Russian Virgin Mary – Increase of Intellect. The Accord of the Image and Meaning(16-18 Century)

V.S. Turchin, Doctor of Art History, Academician of the Russian Academy of Arts, Professor of the Moscow State University
Francisco de Goya. Two Sketches (the Artist’s Russian Ties, Inner Meaning of the Caprichos Series)

A.G. Stepina, Research Institute of Theory and History of Fine Arts, Moscow
Anton Raphael Mengs and Academic Painting in Spain and Russia at the Turn of the 19th Century

Y.I. Arutyunyan, I. Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture, St. Petersburg
Alhambra: On the Issue of the Interpretation of Spanish and Moorish Motifs in the Teaching System of the Imperial Academy of Arts

E.A. Savinova, Research Museum of the Russian Academy of Arts, St. Petersburg
Models of Alhambra from the Holdings of the Research Museum of the Russian Academy of Arts

K.V. Orlova, the State Institute of Art History
Creative Work by Joan Miro during the Civil War in Spain

L.S. Balashova, Essex University, Great Britain
Jaume Plensa: New Concept of the Monumental Sculpture

V.V. Vanslov, Doctor of Art History, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
The Work of the Academician Mukhadin Kishev and Russian-Spanish Relations  

Back to list