The Russian Academy Of Arts

The Department of Art History and Art Criticism of the Russian Academy of Arts and Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts invite you to attend the research conference “Russian Art of These Days: Discoveries and Interpretations”, that will take place on March 14-15, 2013 in Room 8 of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, 21 Prechistenka street (inner courtyard).

CONFERENCE PROGRAM

March 14, 2013 – Thursday

Morning Session – 11.00

Victor Vanslov, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
Welcoming Address

S.V. Moiseeva, the State Russian Museum, St. Petersburg
The Newly Discovered Works by Louis Caravaque (1684-1754) in the Collection of the State  Russian  Museum
The Forgotten Painter N.A. Sinyavsky (1771-not earlier than 1809). Two Programs of the Portrait Class of the Imperial Academy of Arts in the First Half of the 1790s)

S.V. Usacheva, the State Tretyakov Gallery, Moscow
Foreign Masters in the Russian Landscape Painting of the Late 18th Century– First Half of the 19th Century. On the Issue of the Formation of Typological Structure of the Genre 

A.G. Sechin, A. Gertsen State Russian Teachers’ Training Institute, St. Petersburg
In Memory of Elena B. Mozgovaya – Noted Researcher of the 18th Century Russian Art and Talented Teacher

L.A. Koltsova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Sculptor Ivan Terebenev. A Personality and Creative Life

Coffee Break – 13.30-14.00
 
Afternoon Session – 14.00
I.M. Marisina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
On the History of One Visit. The Grand Duke Nickolay Pavlovich and Artist W.  Allen

N.A. Kalughina, the State Tretyakov Gallery, Moscow
Naples in the Work by Alexander Bryullov and His Contemporaries

A.G. Vereschaghina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
“Tarantass” Story and “La Russie en 1839” Book

E.V. Karpova, the State Russian Museum, St. Petersburg
New Information on Portraits by V.I. Demut-Malinovsky

N.V. Logdacheva, the State Russian Museum, St. Petersburg
New  Facts About Italian Works by Parmen Sabella (1830-1917)

March 15, 2013 -  Friday

Morning Session – 11.00

T.V. Yudenkova, the State Tretyakov Gallery, Moscow
Petr Tretyakov and His Portrait Gallery

A.V. Samokhin, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
A Popular Portrait-Type in Russian Painting in the 1860-1880s 

M.S. Chizhmak, the State Tretyakov Gallery, Moscow
Fedor Rerberg and the Moscow Association of Artists. Materials for the Artist’s Biography 

E.A. Khvostova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Theme of Theater in the History of Russian Porcelain Sculpture in the 18-th – Early 20th Century

T.V. Doronina, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
The Theme of Gifts in the Office’s Sculpture in the Second Half of the 19th Century

Coffee Break – 13.30-14.00

Afternoon Session – 14.00
E.A. Tyukhmeneva, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts
A Queer Album of Allegorical and Emblematic Images from the Fund of the Historian D.A. Korsakov in the Russian State History Archives

A.E. Zavyalova, Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Illustrations and Vignettes by Alexander Benois  for the Book by Nickolay Kutepov “The Grand Prince’s, Tsar’s and Emperor’s Hunting in Russia”

I.A. Kapranov, the State Tretyakov Gallery, Moscow
Reliefs by Anna Golubkina in  Marble. Traditions and Innovations.   

O.A. Krivdina, the State Russian Museum,
Letters of Sculptor Fedor Kamensky in the Russian Museum

O.V. Kalughina, Research Museum of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow
Monuments to Alexander II in the 1910s. On the Problem of a Standard Monument.

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