The Russian Academy Of Arts

The Imperial Academy of Arts in the Culture of the New Time: Research Conference at the Russian Academy of Arts

The Russian Academy of Arts and the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (RAA) invite you to attend the Research Conference “The Imperial Academy of Arts in the Culture of the New Time” that will take place in the White Hall of the Russian Academy of Arts (21 Prechistenka street, Moscow) on June 18-20, 2014.

THE CONFERENCE PROGRAM  

June 18, 2014 – Wednesday
Morning Session – 11.00 am

Zurab K. Tsereteli, President of the Russian Academy of Arts – Welcoming address
Andrey V. Tolstoy, Director of the Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts (RAA) – Opening speech
Rosalind Polly Blakesley, Co-Director of the Center for the Study of the Russian Art of the University of Cambridge and Courtauld Institute of Art  – Opening speech

Rosalind Polly Blakesley, MA DPhil, Cambridge University, Pembroke College, Great Britain
A Demonstration of Russian Achievements? The Exhibition of 1770 at the Imperial Academy of Arts

Svetlana V. Moiseeva, the State Russian Museum
Portraits of the Repnin Princes from the Collection of the State Russian Museum. New Version

Vadim I. Egorov, the Russian State Military and Historical Archives
Mina Kolokolnikov – “The Master of Manual Drawing”. 1738-1741

Petr L. Baranov, Research Institute of Theory and History of Fine Arts of the RAA
Iconostasis of Moscow Churches. From the Baroque to Classicism    

Alla Y. Mikhailova, the State History Museum
The Sculpture and Engraved Portrait in Russia in the Period of Classicism. The Facets of Interaction

Ekaterina A. Tyukhmeneva, Research Institute of Theory and History of Fine Arts of the RAA
Prints in the Estate of the Struisky: Owners, Masters, Works

Coffee Break - 14.00

Afternoon Session – 14.30

Svetlana V. Usacheva, the State Tretyakov Gallery
“The Elements of Nature” in the Academy Landscapes in the Time of Classicism

Ekaterina D. Evseeva, the State Tretyakov Gallery
The Miniature Painter  Tovy Voudeau in Russia  

Irina M. Marisina, Research Institute of Theory and History of Fine Arts of the RAA
The Imperial Academy of Arts in London Publications on Problems of Art of the First Quarter of the 19th Century

Alexander G. Sechin, A. Herzen State Pedagogical University  
The Figurative Rhetoric in Alexander Invanov’s Painting “Joseph Interprets the Butler’s and the Baker’s Dream in a Prison”

Alexandra L. Philippova, the Krasnodar Art College
On Iconographic Parallels for the Last Day of Pompeii by Karl Briullov

June 19, 2014 – Thursday
Morning Session – 11.00 am

Nickolai K. Shabanov, Mikhail S. Stepanov, the Kursk State University
The Development Stages of the 19th Century Art Education in Russia

Sergey S. Akimov, A. Dobrolyubov State Linguistic University in Nizhny Novgorod
The Arzamas School of Painting of A.V. Stupin: the Academic Model of Art Education in the Russian Province of the First Half of the 19th Century

Natalya V. Bartels, Research Institute of Theory and History of Fine Arts of the RAA
The Wall Painting of the Ascension Cathedral in Arzamas (the 1830-s): the Program, Painters, Iconographic Sources

Irina A. Ilyina, A. Radischev State Museum of Art in Saratov  
The Influence of Alexey Bogolyubov on Russian Landscape Painters of the Second Half of the 19th Century
Elena V. Kim, the Rostov Kremlin State Museum-Preserve
The Architectural and Design GraphicWorks of Vasily Vereschagin. New Information

Nina V. Pavlova, I. Pozhalostin Ryazan State Regional Art Museum
New Materials on the Life and Creative Work by Ivan Pozhalostin (From Letters to S.O. Borodaevsky)

Tatyana V. Yudenkova, the State Tretyakov Gallery  
The Academician of the Russian Academy of Arts Pavel Tretykov in the 1890-s

Coffee Break – 14.00

Afternoon Session – 14.30

Dmitry V. Osipov, St. Petersburg State University
The Sculptural Decoration of the Sergievka Palace and Park Ensemble. The Rebirth of the Lost Work

Ekaterina M. Andreeva, the State Hermitage
On the History of the Museum of Antiques at the Imperial Academy of Arts (1840-1860-s)

Olga A. Krivdina, the State Russian Museum
The Sculptor Vasily Kreitan and the Imperial Academy of Arts

Elena V. Karpova, the State Russian Museum
Portraits by Nickolai Laveretsky (Research Experience)

Natalia V. Logdacheva, the State Russian Museum
New Facts About Works by G.P. Zaleman (From the Sculptor’s Letters Dated 1889-1892)

June 20, 2014 – Friday
Morning Session – 11.00

Olga V. Kalughina, Research Institute of Theory and History of Fine Arts of the RAA
Afanasy Fet and the Theory of “Art for Art’s Sake”

Anna E. Zavyialova, Research Institute of Theory and History of Fine Arts of the RAA
On the Issue of the Role of Fiction in the Work of Russian Artists of the Second Half of the 19th – early 20th Century (Ivan Kramskoi, Ilya Repin, Valentin Serov)

Dina I. Akhmetova, G. Ibraghimov Institute of the Language, Literature and Art of the Academy of Sciences of the Republic of Tatarstan
Reverses of Fortune of the Artist G.V. Belaschenko (1865-1927)

Margarita S. Chizhmak, Research Institute of Theory and History of Fine Arts of the RAA, the State Tretyakov Gallery
The Artists – Members of the Moscow Society of Artists (Materials for Biographies of M.H. Aladjalov, M.I. Shesterkin, Y.Y. Kalinichenko

Elena A. Terkel, the State Tretyakov Gallery
Lev S.  Bakst and the Imperial Academy of Arts  

Alexander V. Samokhin,  Research Institute of Theory and History of Fine Arts of the RAA
The Early Work of Konstantin Bogaevsky in the Context of Neoacademism of the Early 20th Century

Veronika V. Priklonskaya, A.N. Radischev Saratov State Art Museum
The Graphic Art of the Early 20th Century Artists from the Collection of M.M. Eremeev in the Collection of  the Saratov Art Museum

Coffee Break – 14.00

Afternoon Session – 14.30

Elena A. Khvostova, Research Institute of Theory and History of Fine Arts of the RAA
The Development of the Theatrical Theme in the Porcelain of the New Time

Nadezhda A. Stanulevich, Research Institute of Theory and History of Fine Arts of the RAA
The Four-Day Exhibition of Art Photographs in the Halls of the Imperial Academy of Arts (1908)

Leila S. Khasyanova, the Russian Academy of Arts
The Involvement of the Imperial Academy of Fine Arts in the Restoration of the Monumental Painting of the Cathedral of Christ the Savior in Moscow (1885-1912)

Natalia A. Mikhaleva, Research Institute of Theory and History of Fine Arts of the RAA
Icon-Painting Chamber of the Donskoy Monastery and Its First Director Academician K.P. Stepanov  

Andrey V. Gamlitsky, Research Institute of Theory and History of Fine Arts of the RAA; Alexander A. Burganov, the Russian Orthodox St. Tikhon University of Humanities  
The Historical Painting of the Naval Cathedral of St. Nicholas in Kronstadt (1913): Designers, Program, Style
 

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